Berklee College of Music explores just what “public performance” means in the age of ubiquitous music in @TheMBJ

“All the world’s a stage,” wrote Shakespeare in As You Like It, and he said as much in other plays. The public performance of creative works, including the work of songwriters, has to be seen in that context today. The advent of the Internet and digital technologies has blurred the lines of demarcation between public and private places, placing an undue burden on those experiencing or performing copyrighted works as to when a particular performance of a work necessitates obtaining a public performance license from the copyright holder.”

Read more: The Music Business Journal, “Copyright in Public Places” by Brian Oliver

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